Using historical photographic archives, these works explore artificial intelligence as a tool of symbolic intervention. They do not aim to restore or beautify the past, but to provoke a fracture in its surface. Each manipulated image is a visual hypothesis, an attempt to summon faces and bodies left at the margins of history by time, migration, or violence. These processes aim to expand my current work and establish a visual language where technology is not a gimmick, but a vital component of expression.